Tags | RocketBomber

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digitized image from page 283 of "Histoire de la Révolution Française", 1887, from the British Library's Flickr collection flickr.com/photos/britishlibrary/

So I was working on something1 and in doing some edits/revisions, I decided I needed eight elements for a RPG and DnD-adjacent …um, thing and settled on stone, metal, water, wood, flame, wind, and guile.2

I guess I still need an eighth but its fantasy so stars and/or dragons or quintessence or… no.

No, seven is fine. That’s a decent set of six + the seventh is already a stretch; no need to go for the hail mary pass on top of what’s already a stretch.

Guile is a great word. Quite flavorful. Not used much. Has maybe a negative connotation but that’s fine too, I can work within that as a constraint.

The term I was leaning toward before finding guile was just… Magic. Generic “magic”. Super basic and boring.

What I wanted was ~Magic~ but also in the sense of Art. Tékhnē. Works. Craft. Mage-Craft. Also with a sense of invention, discovery, innovation, and science. Something to embrace spells and potions and clockwork and crafts like blacksmithing, as opposed to just the usual amorphous cosmic preexisting always-there force kinda sense to magic. Elemental Guile, which works for the project just fine.3

But man, guile is such a good word. Let’s see where else that might take us:

What if we add Guile to the ‘standard’ set of six attributes. I’d position it as the spellcasting attribute – cunning, craft, wile, artifice, insight; to be inventive, imaginative, creative, innovative, ingenious, artful; to be deft, clever, shrewd, sly, subtle; to have perception, comprehension, acuity; to devise, contrive, improvise, and invent.

Intelligence is a mix of potential, aptitude, and learned knowledge. Wisdom a mix of insight, empathy, and self-mastery. Charisma a mix of assurance, persuasion, and appeal.

I’d set Guile as being equal to any of those and equivalently relevant.

##

If I were to go back to a different set of old notes4, at one point I was thinking on the standard set of six stats and also, being kind of disappointed in them? At the same time, I was entertaining the random idea of writing a RPG source book using Wikipedia5. Possibly because I was relying on Wikipedia for a lot of preliminary research6. Anyway, if I go back to those notes, I found that Guile slotted right into place. Almost like I was always meant to add it.

I present these notes with some light formatting but also with the disclaimer – I’m going for a low-effort post today so these are just notes: equivalent to pre-first-draft and more about getting the ideas down on paper7 than getting everything formatted8 and in perfect prose. With that caveat I Present:

10 alternate RPG attributes.
https://en.wikipedia.org/wiki/Attribute_(role-playing_games)

Strength
Endurance
Hardiness
Agility
Deftness

Resolve
Wisdom
Intelligence
Charisma
Guile

Strength
https://en.wikipedia.org/wiki/Physical_strength
https://en.wikipedia.org/wiki/Sprint_(running)
https://en.wikipedia.org/wiki/Power_training
https://en.wikipedia.org/wiki/Anaerobic_exercise

Endurance
https://en.wikipedia.org/wiki/Endurance
https://en.wikipedia.org/wiki/Cardiorespiratory_fitness
https://en.wikipedia.org/wiki/Long-distance_running
https://en.wikipedia.org/wiki/Aerobic_exercise

Hardiness
https://en.wikipedia.org/wiki/Physical_fitness
https://en.wikipedia.org/wiki/Bone_density
https://en.wikipedia.org/wiki/Liver#Functions
https://en.wikipedia.org/wiki/Immune_system
https://en.wikipedia.org/wiki/Healing
https://en.wikipedia.org/wiki/Wound_healing
https://en.wikipedia.org/wiki/Skin_repair
https://en.wikipedia.org/wiki/Bone_healing
https://en.wikipedia.org/wiki/Soft_tissue_injury
https://en.wikipedia.org/wiki/Injury
https://en.wikipedia.org/wiki/Disease

Agility
https://en.wikipedia.org/wiki/Agility
https://en.wikipedia.org/wiki/Balance_(ability)
https://en.wikipedia.org/wiki/Motor_coordination
https://en.wikipedia.org/wiki/Reflexes
https://en.wikipedia.org/wiki/Flexibility_(anatomy)
https://en.wikipedia.org/wiki/Physical_intelligence
https://en.wikipedia.org/wiki/Muscle_memory#Physiology

Deftness
https://en.wikipedia.org/wiki/Fine_motor_skill
https://en.wikipedia.org/wiki/Eye-hand_coordination
https://en.wikipedia.org/wiki/Ambidexterity
https://en.wikipedia.org/wiki/Procedural_memory
https://en.wikipedia.org/wiki/Muscle_memory#Fine_motor_memory

Resolve
https://en.wikipedia.org/wiki/Hardiness_(psychology)
https://en.wikipedia.org/wiki/Coping
https://en.wikipedia.org/wiki/Locus_of_control
https://en.wikipedia.org/wiki/Psychological_resilience

Wisdom
https://en.wikipedia.org/wiki/Wisdom
https://en.wikipedia.org/wiki/Understanding
https://en.wikipedia.org/wiki/Common_sense
https://en.wikipedia.org/wiki/Patience
https://en.wikipedia.org/wiki/Empathy

Intelligence
https://en.wikipedia.org/wiki/Intelligence
https://en.wikipedia.org/wiki/Learning
https://en.wikipedia.org/wiki/Aptitude
https://en.wikipedia.org/wiki/Working_memory

Charisma
https://en.wikipedia.org/wiki/Charisma
https://en.wikipedia.org/wiki/Superficial_charm
https://en.wikipedia.org/wiki/Social_skills
https://en.wikipedia.org/wiki/Emotional_intelligence

Guile
https://en.wikipedia.org/wiki/Perception
https://en.wikipedia.org/wiki/Insight
https://en.wikipedia.org/wiki/Discernment
https://en.wikipedia.org/wiki/Intuition
https://en.wikipedia.org/wiki/Inventive_step_and_non-obviousness
https://en.wikipedia.org/wiki/Creativity
https://en.wikipedia.org/wiki/Problem_solving

“Your character may have 18 INT but you, my friend, are as dumb as a bag of hammers”
https://en.wikipedia.org/wiki/Critical_thinking
https://en.wikipedia.org/wiki/Reason
https://en.wikipedia.org/wiki/Planning

The 5 Physical and 5 Mental Attributes can be thought of as parallel and corresponding. mostly. kinda-sort-of

Strength/Resolve
Wisdom/Endurance
Intelligence/Hardiness
Agility/Charisma
& Deftness/Guile

On Agility and Deftness: “A person with high Agility (i.e. good reflexes) will be able to put a hand up when thrown a ball; a person with low Deftness (i.e. bad hand-eye coordination) will have their hand up but not catch it”

On Endurance and Hardiness: “Endurance is running a marathon. Hardiness is surviving the flu.”

“Pick two” – Most DND abilities combine two of these traits (or aspects of two)
  • ‘Constitution’ as Endurance and Hardiness
  • Or ‘Strength’ as Strength and Endurance
  • Dexterity as Agility & Deftness
  • ‘Wisdom’ as Wisdom & Resolve
  • ‘Charisma’ as Charisma & Guile
  • Or ‘Intelligence’ as Intelligence & Guile

Claiming copyright over this set-of-10 would be difficult (and probably not enforceable) & so: I don’t. CC BY-SA 4.0 like the rest of the blog but I’m only asking politely; effectively as common terms in English the list is CC0. Well, “guile” isn’t that common in English anymore but that was kind of my point, way up there at the start. It’s a great word. Feel free to steal it off me.

1 I half-remembered some notes from, I kid you not, twenty freakin’ years ago and yes, I have been transferring them from archive to archive and PC to laptop to laptop to PC and to my current rig. I was using OpenOffice (or maybe even excel?) back in 2002, instead of LibreOffice and Google Docs, but I still have them.

2 Sky/Stars was the original 7th, I added Guile (over Magic) as the 8th, & then made the executive decision to pare back down to seven.

3 It is a tarot-style deck of cards and the seven elements are suits in a minor arcana. Yes, with seven suits it’ll end up as a double deck [78×2 = 156]

4 these are just from 2020, not 2002.

5 I don’t know what I was drinking at the time, but it was merely alcoholic. Not anything stronger.

6 …as one does. Not the best way to do research — and of course, you should find a 2nd/backup/reinforcing and perhaps better source before you rely on wiki for anything vital, but wiki is (true to name) fast and with all the cross-links and linked sources (where available), it’s a decent enough place to start.

7 Like most of us, I do almost everything from a keyboard into digital files but ya get me

8 This includes turning those links from text back into links. Ain’t nobody here got time for that, you are perfectly capable of ctrl-c ctrl-v if you really needed to get there.

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A hex paper blank with some suggestions. We might call it a template. Own work, free for reuse, CC0

Let’s just ignore that I haven’t written anything for the blog in two weeks & we can skip the apology/excuses/justifications and get back to a topic.

“Writing free verse is like playing tennis with the net down,” per Robert Frost, and he also described it as playing handball without a wall. Most of us don’t play either sport but handball, I’m guessing, is even rarer which is why the front half of the quote is the bit we remember.

I like the handball analogy better because sometimes I don’t get really creative until I literally1 bounce off a wall. Or until I find the right kind of person to bounce ideas off of. The tennis net always seemed more arbitrary, and when a ball hits the net, it stops. And then you have to reset and go through all the motions to get the ball back in play, which is why players avoid it.

Anyway, the point of Frost was that without some structure and a few rules2, you’re not really writing Poetry™, at least as he preferred it. But just like a couple of kids can have fun with two rackets and a tennis ball without having to keep score, free verse is still poetry3.

In designing games, particularly board games where many of the rules will be given both representation and often physical form in the printed board and components, we have all kinds of structure to work within. Our game is the board is the structure is the rules. Folks can ignore the rules4 but since we’re using the same pieces, even variations tend to be pretty close to form. Italian sonnets and English sonnets are not the same but 14 lines is 14 lines. Board games are fun, but playthroughs of Monopoly and Risk all tend to look the same – and while both are now traditions in some families, the tradition is also usually to play them just once a year.

Card games, particularly those that use the now-standard deck of 52, in four suits, are probably the closest we get to a “Frostian Poetic” genre of games: there is structure, there are rules. But there is also a lot of creativity in the variations. A single deck but ‘according to Hoyle’ we have a couple hundred variations of play. Within the limits of 10 + 3 times 4 we get Poker, Bridge, Rummy, Cribbage, Blackjack, Solitaire, and War, with all kinds of ways to match, count, or rank cards and just as many ways to ‘take tricks’ and keep score. Eventually we hit limits, and we add a joker — or we get variations like Pinochle, or the UNO deck. We keep the vocabulary (draws, hands, playing out of the hand face up on the table) but use new alphabets.

And eventually we get things like Mille Bornes [1906 or 1955] and Magic: The Gathering [1993]. Is MtG still playing by the same design rules as Poker?5 There is a very distant family resemblance. MF Doom and Robert Frost stand a century apart but Doom and other rappers are most assuredly still using rhyme and meter.

And with that, I think I have stretched the analogy just about as far as it’ll stand.

##

RPGs have rules, obviously. And many, many available accessories, minis, and tokens that can make some sessions play more like board games or war games, at least in part.

But RPGs, at least those played on table tops6, are more like a free-form collaborative story-telling game. The rules we start with give that story some structure, and also help shape the course of play, but over time we’ll change the rules, too, to get closer to the kinds of stories we want to tell.

Maybe more importantly than the rules of an RPG is the vibe of the RPG. And I specifically chose vibe to describe this because I am Gen X and cringe and trying too hard to sound cool, but also because the Vibe of a Game is a mix of things: quite a bit comes in the published settings or ‘worlds’ of the game, some in the rules-as-written, some from other media including the sources used for inspiration by the game designers, and some from roughly 50 years of playing these games and the 20 years of mid-century sci-fi and fantasy that came before them.

Mork Borg is a Vibe. Apocalypse World is a Vibe. Blades in the Dark is a Vibe.

Pathfinder has a lot of overlap with D&D but the settings of Golarion and Forgotten Realms have very different vibes. [Even within D&D: Dragonlance, Spelljammer, Dark Sun, and OG Greyhawk are all very different games to play though technically they share a common rule set — if we fudge a bit. Different D&D settings came out for different editions, and 2nd isn’t 4th isn’t 5th.]

A really neat thing about RPGs is that the rules almost don’t matter. Characters can be defined in different ways, the labels can change. A paladin could be called a Holy Warder, Realm Guardian, Templar, or Lightbound but if a player wants to play a character with that paladin vibe, we find a way for it to fit the overall vibe of the game world and we give that character Smite, because paladins, even if the rest of the class kit and power set are wildly different. I can build a paladin by rolling 4d6 multiple times to generate stats or I can start with 100 points and break out some of the GURPS manuals. I can search online and find the appropriate PbtA Playbook [edit to add: Dungeon World’s Paladin. there ya go.]. I can grab my copy of Band of Blades (it’s in my to-be-read pile) and see what the deal is with Chosen [edit to add: It’s a whole different Vibe].

When even whole rule sets are optional and swappable (to an extent) what is the limitation we put on our RPGs? What’s the rhyme scheme and meter?

When your game can technically be played across an entire whole world, it’s often necessary to drop two sets of parallel lines down and make ourselves a board. Starter village, dungeon, quest hub, capital. Quite a few early sessions fall back on the familiar so we can ground ourselves and figure out the Vibe, both of the game and setting, and also what this particular table, this set of players with with this GM, how that’s going to feel as we play 3-5 hours at a time.

That’s our ‘board’, I think. And across many different genres, I find the parallels. It could be horror-survival on a sci-fi space station but we’ll have a Safe Starting Area, a Dungeon equivalent, eventually a quest hub, and probably a goal, destination or end game — in a fantasy context, the ‘Capital’ — whether that means impressing the monarch or taking their throne. A wild west setting will have some sleepy frontier town, Canyons and Badlands and the things in ‘em, and maybe eventually some sort of slowly simmering plot that leads the story to the Big City, or even Back East. The road there and back again starts in the Shire but eventually takes us to Minas Tirith, and as a “road movie” it’s more about hitting the landmarks than bouncing around a quest hub but there’s comparable story structure there.

Twisting expectations, and (as a GM) finding whole new ways to make a “starter village” and “dungeon”, that’s what keeps the game fresh7. And of course: with the biggest dungeons, the whole campaign can just be town and vaults, back and forth but always exploring deeper or farther, until we find the story in it and the eventual endgame.

A lot of us have stuck with D&D (various editions with various additions and often a lot of homebrew) but only because that’s where we started. The basics of D&D have proven to be pretty adaptable, and folks have done some wild things with just 12 classes and a handful of character backgrounds. But the tropes of D&D and our expectations going in are also ‘grounding’ in a way – and grounding in a couple of senses: a foundation underneath us, and a sort of electrical ground for the rules to keep things from short-circuiting.

So to answer my own question, yeah, the tennis net is kind of necessary. Arguably, the rules we agree to, at the table, keep the game ‘on the rails’ just as surely as the clockwise track around Monopoly, and the limits of the setting (fantasy or otherwise) are also the edges of this (huge, imaginary, but still contained) game board. RPGs don’t have to be limited, but we accept the limits. That’s the vibe we like and the type of stories we’re looking to tell.

Just like no one is actually playing Monopoly by the official rules, no two GMs run their table the same way, and no two groups are playing the exact same game either. Everyone adapts something. Every GM has had a player who wanted to do something that required either a creative interpretation of the rules or some sort of exception (hopefully minor) from them. This flexibility is core to RPGs; not unique to RPGs but much more common among them.

So you might disagree with me. The poetry of what you’re making is maybe more spoken word than dactylic hexameter or alliterative Old English or strict quatrains and couplets.8 But I feel like some limits are probably necessary, especially when the boundaries of what we can imagine are basically limitless.

##

The image at the top of the post is only tenuously, tangentially related. Though I needed some starting point for thinking about the post today, & I took the literal boundary drawn on an otherwise completely open-ended map. It’s the latest version of the template I’ve been working on for making hex World Maps (for fantasy settings or other things that work well on hexagonal grids) – you can see the last couple of posts for more on the scale for the map, and what the rectangular overlay is for.

Eventually I’ll find a final template I like and work up a couple of samples that use it and put together a packet, a pdf, & make that available on Itch.io

1 “literally” in its modern meaning, not literally literally.

2 Like the Pirate’s Code, rules for poetry is more what you’d call ‘guidelines’ than actual rules

3 Frost was using a version of the tennis-and-net analogy as far back as 1933, Ginsberg wrote Howl in ’55. So whatever trend Frost was responding to, it wasn’t specifically the Beats or Ginsberg. And arguably the use of repetition in Howl gives it a structure and, especially when performed, the spoken word cadence is just as effective as a strict poetic meter would have been. But enough commentary on poetry I am way out of my depth here.

4 Everyone is playing Monopoly wrong, for example.

5 Magic should probably be compared to games like Rummy instead of Poker, in that a bunch of cards are played in front of each player and you can react to what your opponent played on your own board, albeit in a limited fashion

6 Table tops, real or virtual. A lot of people play the game on screens these days, so we can’t differentiate just based on ‘is it software?’ anymore. But for MMOs, JRPGs, and other computer RPGs the game world is kind of a fixed thing, and you interact through your PC (both your Player Character and your personal computer) and your options are strictly limited to those of the interface. For “table top” RPGs, we’re playing as the PCs and we interact with each other. The options are close to being unlimited, so long as we agree to keep telling this particular story to each other, even if we do occasionally let the dice decide some outcomes. There may eventually be some sort of hybrid, certainly some companies keep working toward that as a goal. But the original sort of game, played in person in living rooms, dens, and at kitchen tables, with or without a lot of battlemaps and minis, will always be an option available to us.

7 …plus new options for character fantasies: classes, subclasses, ancestries, backgrounds — we’ve been building this kit for decades.

8 makin’ that analogy work.

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I have bitten off more than I can chew. In fact, what I have bitten is chewing back and may be bigger than me.

The Unnamed 2022 Project is still an on-going, living breathing beast of a thing. But (yeah there’s a qualifier) — I haven’t risen to the self-imposed challenge and I’m about to blow past my first self-imposed deadline. I would have preferred to announce today that the first “drop” of 2022 was ready and that you’d be able to download PDFs of this first content pack for free (or pay-what-you-want, if you felt like tipping) from at least two digital stores including… um… Gumroad.1

There isn’t a release this week. So let’s talk about what I *have* been doing for these last 16 weeks—including a selected sampling of the diversions and dead-ends encountered so far—and where the 2022 Project is at.

I have a name, and a website, and that website is running a Wikipedia-like software implementation2, which will be the home of the always-free parts of what I’m working on. The working title for the project was “System15” [riffing on the xkcd comic, Standards] and is now called Plinth·RPG

https://plinthrpg.com/

Plinth·RPG, properly, is the game: a rules-light tabletop fantasy storytelling RPG that I’m still working on. When I’m finally done with the mechanics of it and have wrung it through several additional future drafts, it’ll probably be at least 16 pages3 but not more than 64, with art, and available as a slickly formatted PDF4. Since the objective is to write a rules-light game, the overwhelming majority of the content (the rest of plinthrpg.com) will be a whole new fantasy setting, more or less as I write it. That’s one reason, though not the only reason, that I went with wiki software rather than a blog format for the Plinth site.

That fantasy world will probably need its own name at some point. Though I’m fine with moving forward under the really-is-that-what-you’re-calling-it, the-name-just-seems-generic-to-the-point-of-obfuscation brand of “Plinth” in that Plinth has at least two things going for it: no one else is using it, or anything close to it, and also (as you might have noticed) I registered the dot-com.

Today is, was, my first deadline, as I noted in the last blog post. This announcement, and the reveal of the still-skeletal website, was not what I intended to release.

##

My goal for the Untitled 2022 Project was to prepare and release a “content drop” every six weeks: digital files available for download and containing, well, something like an old school D&D adventure – some maps, some descriptions, a few notable NPCs and perhaps a new faction (to add to my collection), and if appropriate, some monsters or creatures or critters to go along with.

This was a good first impulse and is still a decent idea. I never got anywhere close, though, because I rapidly careened off that course on onto a different track.

My idea for a simple adventure map was sabotaged when I asked, “Well if I’m making a map anyway why not make it part of the world we’re building?” and that led me down a rabbit hole of medieval and renaissance travel modes and travel times and appropriate map scale and wait, how many kilometers is the Earth’s equator again and what about the distance to the poles, and say has anyone done a world map projection that works with hex maps5, and now I have a lot of notes and some fun things sketched — but I’m not really closer to that first Pack drop and I still don’t have a format or template that I can iterate on and drop things into.


[Image caption: you can maybe see how things like this became a distraction]

So I don’t have the neat, initial adventure model that I thought I would have ready at this point. I’m not at the finish line; I am only just now getting ready to run this thing and enter the starting gate. It sucks, and it’s not where I want to be, not where I planned to be, but I know whose fault it is6 and all I can do is keep going.

My next self-imposed deadline is six weeks from now, Week 12 of 2022, and Friday 25 March;
I’m already anticipating that I’ll miss that deadline too.

##

One of the blacksmiths I follow on YouTube7 has a neat saying that I’m going to borrow for this, “Need a tool, make a tool”. The concise version is memorable and I can’t improve on it, but I’ll expand on it just a bit so you know what I mean by it: If you know what you need for your end goal but you can’t find the exactly right tool to get there, go ahead and make the tool (or tools) first. Which he literally does in many of his early videos, making hammers, tongs, drifts, dies, all kinds of tools.

For what I’m working on, I need a couple of tools first. I need to get up to speed on Scribus and build the PDF template. Of course, it’ll probably be a two-column layout that looks like every other RPG rulebook but even just saying that assumes a lot – font choices for headers, body text, tables, sidebars—oh yeah we’ll need to figure out formatting for tables and sidebars, and we’ll also need allowances for spot art. The goal is to have something that looks familiar to the target audience but in the ‘house style’8 that stands out a little bit from everything else. I haven’t done layout since 1990 and that was on the school Macs and I’ll be honest, I don’t even remember what the program was called, and many intervening years of banging my head against CSS hasn’t honed those skills any. But once those decisions are made, the template is a tool, and I can just (hopefully) drop the words into it.

The other tool I need is for maps, and surprisingly, the best tool that’s available may just be Clip Studio Paint. But that’s more software for me to learn and another template to build. I don’t know that I’ll be able to do both in twelve weeks, let alone six.

But that’s fine. And I have two tools that already online and working: The new Plinth·RPG wiki, and this blog. I can keep the lines of communication open, certainly, for anyone who is following me on this weird new adventure, and I can describe the process of learning how to build new tools and also the tools themselves, if they’d be of use to anyone.

That’s where I’m at. It’s a new starting line. And I’ve got a six week sprint ahead of me.

##

1 if you’re not on twitter or not following enough artists & content creators on twitter you missed the drama: The CEO of Gumroad (a smaller but once a decently well regarded e-commerce platform where you could sell, among other things, PDFs and digital files) was caught out trying to mint his own batch of NFTs. Twitter, at least the twitter I’m following, was collectively not amused. Ko-Fi and Itch.io have been the most commonly recommended alternatives.

2 for those who must know, either to suit their own similar needs or just to be nosy: DokuWiki, https://www.dokuwiki.org/, which is available under the GNU General Public License (so: free) and which was both easy to install and easy to get started with

3 If I’m a good editor and manage to reign in all my usual bad impulses, like including footnotes for everything, then I might be able to keep things down to a taut, efficient 16 pages. I anticipate it’ll be more like 32.

4 and maybe also print-on-demand, if I barrel past the upper page limit I just set and project bloat inevitably sets in and the whole thing is closer to book size than not.

5 the answer is yes, but figuring out how many times it was answered yes and the ins-and-outs of each is a whole week shot, I tell you.

6 I’m going to blame ADHD of course

7 Yes there is more than one. Alec Steele in this case, and I’ll just note that’s a fantastic name for a blacksmith

8 Graphic design is my passion

9 I’m not sure why I started leaning so heavily on footnotes for jokes and asides but I think it’s too late to stop now. And that probably means I’ll have to include some sort of allowance for footnotes in the PDF template, dammit.

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Image: two arrows crossed and an unstrung bow, bound by a ribbon
British Library digitized image from page 7 of "Richard Cœur de Lion, etc" [Translated by the Right Hon. John Burgoyne.], 1805

Fantasy Faction:
The Lodge

Quick Sketch:

Many who have fled the wars have found a new haven, an old frontier province: up until a few years ago home to only a very few, the remnants of the original settlers, who now live in isolated villages and hamlets. Well away from Capitol—and even further from the Front—there are many abandoned homesteads here just waiting for the daring, or the desperate, to again till the land and repair the crofts and rebuild long tumbled walls and fences. This frontier borders The Deep Wood, a remnant of the Old Forest (or perhaps just its civilization-facing edge), green and thriving, though in other places dark and dense and overgrown; full of ancient mysteries green and damp and dank and foreboding. There are many tales among the villagers here about what lurks there, and proscriptions about where to build, where to gather fallen branches, and how far one can go into The Deep Wood

This chunk of Old Forest can be anywhere (file the serial numbers off, change the details to suit) but I might add at least one restriction: This wood has been avoided by any Elf or other woodland sentient species that Civilization (as understood by players and their characters) currently knows. There may be Elves in there somewhere (at GM discretion) but they are going to be different™.

With whole new towns springing up, and more refugees coming and settling closer and closer to the woodlands’ edge, there have been Incidents. Rumors of huge beasts (or huge somethings) coming out of the woods on moonless nights or in the dead of winter. Farmers and families disappearing, the homesteads found wrecked again and seemingly abandoned. People who go into the wood for firewood or to hunt game, and just… not coming back.

With the bulk of the armies away on various fronts, and with nothing like a local militia established given how few lived here up until recently, the only ones available to protect the settlers, investigate the mystery, find what riles the Green-Dark powers of the Old Forest, and perhaps save the towns and people of the newly re-established province, is The Lodge

The hunters and rangers who established The Lodge come from all over – some were already woodsmen, some are skilled warriors but just now discovering the difference between fighting on the plains and hunting in the woods, some come seeking answers and to take revenge—if revenge is to be had. A few have come to study The Green, for the sake of knowledge itself, or love of nature, or for personal power. Nearly all are welcome, if they swear to protect The Lodge, and each other, and the people outside the wood.

The Lodge, the building from which the band takes its name, is actually *in* the wood, a morning’s ride or a day’s hike away from the nearest town. It is now a huge undertaking, more keep than lodge (though still under construction), a combination inn and fortress, the four wings surrounding the courtyard, forge, and stable. With a foundation and a bottom story made of stone, the completed wings have two stories and an attic built in timber above. The forest around has been cleared to 75 yards on three of four sides, a little closer perhaps on the back where trees are still being felled (for that defensive perimeter, and construction materials both).

As a GM, you can choose to have your players encounter The Deep Wood, the frontier, and The Lodge at any point in the last 25 years – from its establishment on an actual hunting lodge, a single story building for perhaps 20 to eat and sleep, to the small keep it will eventually become. Your party can be the founders, literally coming to confront the unknown, or as new recruits to an established band, where the Captain and the officers are there to assign patrols and quests, with the support of a blacksmith, bowyer, fletcher, and quartermaster to keep the party supplied and in fighting trim.

The Secret of The Deep Wood is probably going to be the seed of a whole campaign, though one-off adventures might still take place here, if a call goes out for Heroes to hunt and kill a huge beast (and that’s it, XP GP here have a shiny bow thanks byeeee). Or the objective of our party might be to get through the wood, to chunk a bracelet into a chasm or whatever that eventual goal is, and so they stop by The Lodge to pick up an NPC ranger guide and take a long rest.

General Background:

For all party members, our base assumption is they are among the refugees fleeing the war who have now found themselves in this long-forgotten province on the forest’s edge. Some few might have backstories that originate here (growing up on a local farm before becoming an orphan is popular) but for nearly everyone else, any occupation or background should work. The characters might not even have a motive, or objective in coming here. This is very close to the stereotypical, “So you all meet in a tavern…”, but in this case it works. You could even start at the front door to The Lodge, everyone a new recruit, but it might be good to have an introductory adventure at the nearest town first, and a fight/encounter that leads to the party learning about The Lodge, and then making their way there

Our Associates:

[Player types, by class; suggestions for play – or for notable NPCs]

Ranger – The rank and file of The Lodge would be woodsmen, of course: Wardens, scouts, trackers, Strider from LotR and the Hunter class from WoW. You can play the class right out of the core rulebooks or d20/SRD pdf exactly as written. A creative player might have different specializations or a great background story or a new take on the class that will be fun to play or role-play, but a party of Oops All Rangers with no rogues, no pure fighters, and no other spellcasters except maybe a druid is a valid composition here.

Druid – Like rangers, druids are an obvious fit; though being so close to nature might present some internal conflicts, either within the player or within the party. Is our druid here to help us heal a wrongness that perverts the nature of The Deep Wood? Or are they more in tune with the wild gods and old spirits of this place, and find what The Lodge is doing to the wood to be, in itself, just as perverse? A lot of good options here. To keep a little of the mystery from even your most nature-connected character, one option might be to have the druid arrive from woods far away, with a deep connection to nature but little knowledge of whatever-it-is that lurks in The Deep Wood.

Barbarian – Barbarians are another class that can be played as written, with few if any modifications. It might be interesting if the origin and backstory of the Barbarian in the party is “some *other* remnant of the Old Forest, just Up North or Away South” so they can crack jokes about how, sure, that wolf was tough but back home they used to target womprats at least that size in their T16

Bard – ‘City Bard out in the woods’ is a fish-out of water setup with a lot of roleplay options but if we look at myth/literature for call backs we can easily find one good role model for Bards: Alan-a-dale, of Robin Hood/Merry Men stereotypes. (Be cautious or your party may end up as just a pastiche of the Merry Men, with Alan-bard and a Little John barbarian and a Friar Tuck cleric and… or you know what? lean into it. If the players are into it, you can see what a Robin Hood story looks like with Feral Wildgod Wolf Packs and Corrupted Entkind) – At least one Bard in the The Lodge makes sense, though [PC or NPC], as one is no doubt there to collect stories

Cleric – A healing cleric might have been sent by their bishop to tend to The Lodge, perhaps by request of a (distant) nobleman who gives money to both Church and Lodge, or via a divine dropping-a-hint-on-the-bishop mechanism. A cleric of a Nature god/goddess is also a natural fit, as would be a cleric of any fertility god/goddess, answering the prayers of provincial farmers just outside the woods. Even militant orders might find common cause, because there are huge beasts to fight and hey, they like to fight. In building a cleric for a campaign, the player could pick just about any origin, background, and devotion, who then arrives as a refugee (perhaps leading a small group to this haven away from the front) who then finds common cause with either Lodge or party.

Fighter – The only reason to play a fighter as opposed to a ranger (in this particular context) is for flavor reasons—as a better fit for a particular background story—or to be a min-maxing munchkin weapon specialist where the bonuses the fighter gets outweigh all the woodsy nonsense and random spell slots of the ranger class. Here are a few examples:

Fighter – The Tip of the Spear – The Lodge no doubt has a handful of beefy fighters with training in the long two-handed Boar Spear, a massive hunk of weapon that includes a cross-bar three feet from the blade to keep the boar (or warg, or dirething) from charging up the weapon while still impaled. When the patrols come back and report that A Hunt must be called, else this thing is going to eat a farm or bollocks up The Lodge itself, the ones in the front are the elite, the Tip of the Spear

Fighter – Shieldguard – When 85% of your troup composition is plinkers who use bows or dual-wielding swashers who dance and weave and occasionally forget about the friendlies behind them, having a few stout compatriots to get in there and tank the mobs and just generally give us all some cover are kinda necessary while also being underappreciated. Lodge Shieldguards are better trained in tactics than woodcraft and also form the core of the lodge defences, when every day (or even for days at a time) most of The Lodge is out on patrols.

Fighter – The Sniper – “While you were studying tracks and spoor, I studied the Bow. While you learned woodcraft and weather sign, I studied the Bow. While you learned stealth and spells and dueling and defense, I studied the Bow.” You know there’s at least one NPC at the lodge who practices 300 yard shots and blindfolded bulls-eyes and behind-the-back quickshots and splitting one arrow with the next, also in the bulls-eye, and probably also blindfolded. Feel free to make his comeuppance a minor plot point.

Monk – “You must go to The Deep Woods, there you will learn from the jedi mas- I mean the ki master who taught me” – A monk character would likely be a visitor to The Lodge, but perhaps one with reasons to stay. As a GM, I’d work with a player asking to play a monk in this type of campaign to develop a new class kit, “The Way of the Falling Leaf” or “The Green Ki” or “The Force”, with a strong preference for class abilities and bonuses that rely on the elements, some (but not all) of the animal forms, and the idea that the energies that flow through our bodies is the same that flows through all of nature. A monk of this disposition might even be drawn to The Deep Wood, to learn its secrets and to eventually found their own Way and Path and School.

Paladin – The Green Knight – The Nature Goddess had never needed a Paladin before, but the heart of the wood is unbalanced past her remit now, and the deep rot must be rooted out. Our knight was just another of many, fighting in the long war, one who fell in battle: a senseless, random encounter in a woodland near the front, left for dead but found by the Goddess. Long after the fighting had moved on, they awake, rising from a blanket of fallen leaves, to take up now-rusted arms and moss-covered armor, their shield boss entangled with vines that seem to form the branches-trunk-and-roots of a Tree of Life symbol. Our Green Knight emerges from the wood, and spends many weeks in recovery, tended at first by sympathetic farmers and later by clerics at a Temple of Life, who clean the weapons and armor, though both are now stained a green that cannot be removed. When the Knight has recovered, after many nights spent healing and dreaming and communing with the Goddess, a huge Elk with algae-tinged fur and mossy antlers arrives, and the Knight knows: now that their mount is here, it is time to depart. The clerics of Life bestow additional blessings upon them, and the Green Knight rides for the border province, The Lodge, and The Deep Woods

Rogue – Any rogue decent enough with two weapons, plus a little stealth, the ‘surefooted’ feat or ability, and a bent toward deceit could probably fake being a ranger. Especially in a community where every other NPC is an actual ranger and psfh who the hell needs to track anything or whatever five other guys do that. *WHY*, then becomes the question, but I’ll leave that to individual GMs, players, and parties to figure out. Though The Lodge probably has at least two types of rogues who aren’t hiding in their ranks:

Rogue – Trappers – an ability to detect traps and disarm them implies enough familiarity to also set any traps, and an expert along these lines would certainly be welcome; at higher levels these could supplement the defences but at lower levels: it probably means dinner. Or perhaps furs for trade, as The Lodge as both ‘keep’ and band sound kind of expensive to maintain. When drawn into a surprise encounter in the field or forced to defend The Lodge in extremis, the Trappers are still scrappers; a creative GM might give Trappers a “Cast Snare” weapon proficiency with any available rope, analogous to whips or lassos, allowing 1d4-2 damage and either a “distract” or “bind weapon” special action as a called shot, depending on if the shot is aimed at a the face, or the weapon hand.

Rogue – The Closer – Chasing down the prey, cornering it, bringing it to bay, even immobilizing it: for the largest of beasts, even all this might not be enough, and it is only a matter of time before the beast breaks from our temporary constraints and throws us aside. However, if we have someone crazy enough to direct engage the monster (from behind, but still: crazy to get that close) and dispatch it, bully for us and also probably someone good to have on staff. The “Closer” would be more of an assassin rogue build, with backstab bonuses and things like Death Strike at higher level, but context is important. Assassins are good actually, if they are team players and we need someone to close the deal on this encounter

Sorcerer – A wild mage might feel called to The Deep Wood, depending on the nature of their own chaos magic and whatever the GM determines might be behind the Green-Dark of the wood. Creative players and GMs might also lean into the “wild nature” of a Green Sorcerer kit and pull in druid and nature spells that might not otherwise be available to the class. It is also possible for a sorcerer to be “fae” touched (a parallel to other bloodlines) and that is the source of their magic (and also of the constraints that might be placed on it)

Warlock – If there is something deep in the Green-Dark of The Deep Wood it wouldn’t be too far out of line to think that power would reach out, and make a bargain. Or perhaps (at GM discretion) a player-character might be a researcher looking to make that bargain, perhaps with a thought to ‘tame’ the power, or at least to divert it from the innocents of the province beyond and toward some other purpose. Alternate warlock backgrounds might include powers seeking to contain the raw nature of The Deep Wood on either philosophical grounds or just to eliminate some local competition, or to control-subsume-merge with it.

Wizard – As always, if there is some mystery out in the world that can be described as vaguely magical, most assuredly there is some sort of magical researcher who is out there poking at it. That said: similar to many classes above, and in keeping with the general setting, a Wizard from any background might find themselves stuck here who will either find common cause with the provincials and The Lodge — or who will find individual motives that align with the party at least through this campaign. In an extreme case a GM might be forced to breadcrumb a lost mage tower somewhere in the woods, with scrolls and loot, to tempt this character out — but that’s par for the D&D course and nothing special

Other Encounters:

The Lodge is a coherent NPC faction with a strong theme, obvious place & time to encounter them, and a generic enough backstory (huge woodland aside) that they could be found in just about any campaign setting that has a similar mix of war, refugees, and a frontier to flee to. A party of PCs could need the help of The Lodge to get through the Deep Woods, could be helping The Lodge in a particularly hairy hunt, or could find themselves in opposition to The Lodge if the party’s interpretation of how to support and defend nature came into conflict.

In a combat encounter with The Lodge, first you have all the arrows, then the front line of a Shieldguard and Barbarian at minimum, then more arrows, then spell support from at least two casters, and more arrows, The Green Knight is slowly striding toward your position to eff you up, more arrows, at least one Rogue Closer already in the shadows behind you, and more arrows, and finally: they have at least one spell caster in reserve but they didn’t need it because More Arrows.

Last Time: Street Rats
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A street market before a stone tower and medieval buildings, illustration captioned "Angoulême"
1870 illustration by Gustave Doré, from the British Library's Digital Collection https://www.flickr.com/photos/britishlibrary/

Fantasy Faction:
Street Rats

Quick Sketch:
There is the city; it could be any city. OK, not just any city, this is a stereotypical RPG-flavored fantasy city that is vaguely Europeanish and has things like a city wall surrounding an Old City and a river and some docks and a market town (called Newmarket) just outside the city walls. The bad guys are either an occupying military force, the corrupt henchmen of a local power, or just the usual city watch: in this example I’ll call them the Guard. Our good guys are the poor and working class of the old city, living in a run-down neglected neighborhood I’ll call The Warren – not quite a slum, but not any good part of town either. There was an “Incident”, and now the street rats and toughs of The Warren are fighting the Guard.

You can change the details to suit either an existing setting, or use my quick thumbnail sketch as a launching point of your own. File the serial numbers off etc.

The Guard might be too far away from home to easily summon reinforcements (if occupiers) or not official enough to ask for help from The Crown (is there a crown? Maybe there isn’t an outside ‘national’ force to call for backup), or The-Perhaps-Nonexistent-Crown might have most of the ‘real’ army away fighting a war. For whatever reason, it’s an even fight, a temporary stalemate where the two sides face each other over barricades.

Our Heroes, the party, grew up in The Warren but now have to find ways to get food & supplies through the Guards’ blockade, need to find allies, and must discover a weakness or strategy to eventually win. Maybe they can call on the Crown? Like the old (but still serviceable) Robin-Hood-Prince-John-King-Richard setup – Or they just need to hold out long enough for the ‘siege’ to be lifted – Or maybe they grow and learn and skill up until they can win by guile or force of arms.

It might also work out that the party can “win” but then have to leave the city, the only world they know, and get launched out into the wide mysterious unknown of the rest of the continent, depending on what kind of campaign you’re looking for.

General Background:

For all party members, our base assumption is they grew up in the city and live and work there. They can be any age or occupation that vaguely fits that baseline, or your players can get creative with backstories (growing up on a farm before becoming an orphan is popular) that might allow other gameplay options.

Our Associates:

[Player types, by class; suggestions for play – or for notable NPCs]

Rogues – In this time of unrest and trouble, the rouges are our frontline skirmishers and brawlers, fighting with a dagger or less – not members of the illustrious guild, those folks have real skill (and a certain amount of status). A rogue of this party is just a street rat, though they might aspire to being an actual thief & member of the guild in good standing.

All of our street “fighters” are just rogues and young punks and the sort of small-time petty criminals that, if circumstances were different, would be fighting each other over turf and scraps. None are really fighters, never having the training even the rawest military recruit gets. [Three options for PC/NPC Fighters are given below; see also Barbarian, next:]

Barbarian – Brute Squad Street Tough – (Yes I am specifically thinking of Fessik from The Princess Bride) A lot of people are fighting in the streets now, but just a few take to it with such… gusto. Brute Squad members will fill the role of a berserker, but only when driven to it by extreme circumstances. Until the odds are really against them, they put the tough in “street tough” and use their unarmored defense bonus and uncanny battle senses to act as literally muscular shields for the other, less beefy fighters and all the innocent bystanders

Bard – Trash-talking Rap Battler – The Street Bard can use cutting words to not just distract or confuse, but to literally taunt opponents into blind fury attacks, ignoring any odds (and the Bard’s allies) lowering their effective armor class and giving any strike an attack advantage. The ‘College’ for street bards is The School of Hard Knocks; some of the Lore is different and there may be more weapon proficiencies, feats of acrobatics, dance, and evasion than spells, but a Bard is a Bard even if their chosen instrument is voice and rhyme.

Cleric – Street Medic – Once just a bystander, perhaps a barmaid or apprentice, who jumped in to drag away the wounded from the fray, the medic has been called to Serve. While completely unschooled and untrained, at least so far, they serve as a direct conduit and can channel healing spells they don’t even know the name of yet. [GM Note: taking into consideration the lack of weapon skills and actual priest training, you might work with the player of the Street Medic and allow them to start two levels above the rest of the party, but with the understanding ahead of time that the bonus levels will need to be “relearned” (or as role-played: actually learned for the first time) so additional leveling will be much slower]

Druid – The Rat King – the Rat King has never left the city, he doesn’t know the secret languages or druid signs; he might not even recognize himself as a druid. He used to be a “mudlark”, one of the orphans who picked the exposed river banks at low tide for a dropped copper or some other bit that might have value. Through that he got to know the rhythms of nature (even inside these city walls) and eventually came to understand what Wild there was here, in alleys and sewers and walled-off gardens. His Wild Shape is a giant ratform – one he uses so seldom it is an urban myth – but his friends the rats are everywhere. Sometimes it seems like he can even speak with them. Not just rats, but snakes and birds, and he is also unusually good with ponies, cart mules, and livestock, though the huge horses of the Guard just snort and paw the ground at him

Fighter – “Here Comes Our General” – She rose above the crowd very early in the fighting, through a mix of luck and a few key shrewd decisions, in one of the very first clashes. She survived, and saved a few others besides; several of those now loyally follow her lead. Somewhere she found a heavy knife long enough it might pass for a short sword, and uses a stout walking stick in her off hand mostly to block, but also as a way to rally the toughs and point to objectives, over the din and noise. A colorful scarf was soon added, as a “banner”, and she wears a matching one around her head. Relying more on raw charisma and natural talent, with a gift for tactics, Our General is untrained in arms but is being given many opportunities to practice.

Fighter – “I used to be an adventurer, before I took an arrow to the knee”. Some folks in The Warren most assuredly used to be something else before settling here, and (at GM’s discretion) an actual Fighter might be part of the party, a wounded veteran or a codger well past being called back to active duty. [Similar to our Street Medic, the GM might grant two levels over the rest of the party but in exchange for a negative attribute modifier, due to age or scars, and a slower base movement speed, perhaps an “old wound” that can be overcome with some sort of willpower check in dire need but at a hit point & endurance cost]

Fighter – The Defector – Maybe a younger, rookie member, new to the Guard and given no reason for either personal or professional loyalty, decides to leave the Guard and join the rats. He has had training; he is probably much more proficient with weapons than any street tough, but even if he could bring his gear with him when leaving, he probably can’t wear any of the armor or use the shield, for fear of being mistaken for the Guard-he-was and stabbed in the back. Oops. Sorry bro, my mistake. The defector would need a really good reason™ to switch sides (it’s usually the romantic subplot) and even with good reasons, will be met with suspicion and distrust. As an NPC, this might be solved by finding a way for the defector to safely leave town (with their love, assuming that was a mutual thing). As a PC option, this might work as a way to bring in a new player who joins the campaign a few sessions after it started.

Monk – The “Holy Beggars” are by tradition restricted to the plaza between the Council House and Temple Row, though many practice outside the city walls among the many markets and the caravaners’ tent bazaar. They are not “holy” in the sense of feeling either divine favor or a call to serve, but because in seeking alms they perform ‘miracles’, like fire-eating, or handling snakes, or lying on a bed of nails, or contorting themselves into all sorts of shapes. Their skin is tough, they are flexible to the point of seeming unjointed, they seem impervious to fire and poison, and they are pissed off. It is unknown what the Guard did to rile the bottled fury of the entire “Order” of Holy Beggars but they are a force unmatched in the rioting. Literally vaulting over the heads of others to tangle and engage the Guard as flying balls of limbs and fists and striking feet, spinning on the ground or flipping backwards or seemingly drunk, but always hitting from an unforeseen angle and seemingly always out of reach for any counterattack.

Paladin – Sign-carrying Street Prophet – before The Incident, he was just another crank, another beggar, living off alms and spending daylight hours banging a stick against a pot, intoning “The End is Nigh” while slowly walking a circuit around the city, or occasionally (as penance, he says) walking the entire outside perimeter of both the Old Walled City and Newmarket. Since the rioting started, he has changed aspect almost entirely (when did he get so tall? did he used to just always walk hunched over?) and he wears the pot-as-helmet on his head. His stick he traded for a stout cudgel, and he will be found leaping barricades while shouting his new battlecry “Your End Is Here!”

The Rangers – Sling Urchins – There are so many orphans, since the war, and not enough to care for them. They form packs, almost feral, looking out for each other and taking care of the youngest. Some get by as mudlarks, gleaning the banks at low tide. Others pick over trash tips and discarded junk outside the markets and caravan wagons, or steal bits of food to survive. They must be careful, and quick: orphans have been snatched up by the Guard, to be sold as an apprentice or farmhand, forced to “honest” work (at least until they can escape again). Or worse. The orphans do not say why, but one particular gang hates the Guard, their natural enemy, more than most. One or two of these are always trailing groups of Guard, unseen, to find opportunities for tricks, or theft, or injury – and sending runners to Our General to let her know always what the Guard are up to. What used to be a game for bored kids, slinging stones at birds or rats, has become a harassment technique now: stones and well-shaped shards of broken pottery are being flung with force and accuracy, often finding the gaps in helms or the exposed throat of those unwary.

Sorcerer, Warlock, or Wizard: A wild magic user suddenly appearing among our roguish skirmishers, or an otherwise weak street fighter given a chance at real power through an otherworldly bargain, would not be too out of place, but talking to you as one GM to another: I would be careful. At this level, of unorganized brawls in an urban setting, anyone bringing real magic to this fight is likely going to shift the balance to the point where there is no balance anymore. Any escalation would likely quickly be met by the Guard (would have to be matched, from a storyteller’s perspective) and we could quickly burn down the whole city.

[GM note inside the GM note: All plans gone awry, the city on fire, a person who must be found in the chaos, a magic mcguffin AND innocents who must be protected – that sounds like a fantastic capstone adventure to this low-level urban mini-campaign and you should find a cliffhanger in it and split it over at least two sessions]

If a player wanted to bring a magic user of just about any flavor, you might ask if they would take the role-play opportunity of a dual-class character, leveling once or twice as a rogue before The Event (sidequest!) that leads to them becoming a Sorcerer or Warlock. The scholarly, wizardly option might be effectively closed as a path, if we assume our urchins and street rats are illiterate. (An old Wizard NPC who must be found/rescued/persuaded to help for some special circumstance the party can’t otherwise overcome would probably be a nice mini-quest too, maybe good for two or three sessions)

Other Encounters:

The street rats are a coherent NPC faction with a strong theme, obvious place & time to encounter them, and a generic enough backstory that they could be found in just about any smallish city that has a similar conflict in place. A party of PCs could be mercenaries brought in to reinforce the Guard, adventurers passing though who just happened to be using the city and a tavern in The Warren as their base of operations, or agents of (did-we-decide-there-was-a-Crown-or-not-I-forget) the Crown who are sent to find facts and restore order.

No matter the set-up, telling your party they face two beggars, three kids, and a wiry teen dressed in what are those, rat pelts? and then being taken down by a hail of sling bullets, a Holy MMA Beggar, a swarm of rats, and the Zealot Pothelm Paladin braining your lead fighter with a stick while shouting “Your End Is Here!” will probably teach them something about underestimating opponents – or make them paranoid in every “innocent” city encounter from that session on. Either way: Win!

Next Week’s Fantasy Faction
The Lodge

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