For most tabletop RPGs, where players and the referee alike enjoy a fair amount of simulation and crunch¹ maps can be an important part of the game. Sometimes maps are just flavor, or props, and that is perfectly fine. In the front cover of many fantasy novels, there’s a basic map to give you the names of the various locations and how they relate to each other, but the author probably wasn’t thinking of exact scales or GPS precision accurate to 5 meters.² In many games though, we do include a scale, and a grid (for anything bigger than a village: a hex grid, almost always)³, and with some depiction of terrain, either artistically rendered or abstracted a bit, to colors and icons. A lot of gamers who came up the same time I did will remember the gorgeous two-piece four color 34”×44” wall map of Greyhawk⁴, from either the 1981 ‘folio’ or 1983 box set.

Map scales are arbitrary⁵ and generally come down to just two things: how big of a thing (province, kingdom, region, continent, world) did we want to represent on what is typically just a sheet or two of paper, and how do we ‘play’ the map.

Play is maybe more important: with that G in RPG, I’m still talking about games. But another pillar of RPGs is the idea that we are collectively telling a story, so sometimes we’ll make a map that is important for narrative (or for sparking imaginations) and not just because our board game needs a game board. I think we’ll cover both bases with this collection of scales, but there’s also a general trend in that as the scale gets bigger, our maps are more about story and less about simulation. Enough intro? That feels like enough intro.

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Scale One: 5 feet.

One inch = five feet and if you’ve played the game with 25mm or 28mm miniatures you are probably already very familiar with the game at this scale. This is how many of us set up and resolve combat (minis, and a few dice rolls) and as a D&D or Pathfinder player you’re probably also familiar with something like a 24”×36” vinyl mat with a square grid and your GM breaking out the dry-erase (or back in the day, wet-erase) markers. You can also buy a lot of professionally produced color maps at this scale — many sold in packs or as map tiles, intended to be used several at a time and shuffled around as needed. The latest in tech, Virtual Table Tops, also utilize maps at this scale that are either shared with players online via a video conferencing setup, or for those with the means, via a monitor or projector that brings the virtual back around again to a physical gaming table.

Five feet is melee range. Your move speed is most often listed as some multiple. Not everyone thinks of a battle mat or miniatures setup with cardboard and stand-in tokens as a map per se, but this is our smallest map scale.

Five feet may also be the first and last map scale nearly everyone agrees on. From here, I’m listing my preferences, and probably goes without saying but your mileage may vary⁶

Scale Two: Villages.

A village map usually isn’t a tactical map but nearly every starting adventure has one. The Village of Hommlet [AD&D Module T1] is one example that uses a square grid and a scale of one square = 20ft. (in most printings this adds up to 80ft. to the inch). The village of Phandalin from the D&D 5E Starter Set isn’t on a square grid but includes a map scale that’s roughly the same.

Village maps are typically, but not always, props for use at the table, to give players an idea of where they’re at and some of the relationships between buildings, locations, and NPCs. For this purpose, the Phandalin map is probably a better example than Hommlet. As a story-telling aid, a village map can be handy to show that the dour, loner NPC does in fact keep his distance from the rest of the village, or that a nearby abandoned shrine is probably somehow related to the village but definitely apart from it. I don’t think I’ve seen a village map broken down tactically to 5-foot scale so we can simulate street-by-street combat in an invasion or bandit raid scenario but now that I’ve typed that sentence I kind of want to play it? So I’ll probably be making that at some point.

There may be other examples that would be handy to map at this ‘village’ scale – for example, something like a full legion on the march and your players need a map of their encampment at the forest edge and river ford, so they can figure out how to infiltrate the camp. Or a castle siege. Or a small part of much larger city. But the purposes are usually going to be narrative over tactical, and involve a lot of gameplay and character actions that aren’t turn-by-turn combat.

In my own design space, I’d say anything still on graph paper instead of hexes and from 20 feet to 25 yards to a square fits as “village” scale.

Scale Three: Battlefield.

It is rare (in my experience) that a table-top RPG campaign gets to the point where two armies will meet on the battlefield and the players will want to wargame it – my bias is perhaps apparent in my choice of verb there, ‘war games’ are a different genre. TL;DR It’s 100 yards, and I’ll see you in the footnotes.⁷

Scale Four: Local Travel

Keeping with that TL;DR spirit, let’s lead with the lede: 6000 yards. That’s three miles — we have redefined our fantasy mile to be exactly 2000 yards, because we can, and because that other number (1760) is stupid.⁸ With a base walking speed of 3 miles an hour, a hex at this scale takes one hour to cross – that’s if it’s flat, level, not too muddy, & has a decent trail or basic road on it. You can take that and run with it.

Defining One Hex as being One League (3 miles) and taking One Hour works pretty well.

The basic measure to consider here isn’t any particular unit of distance but instead that unit of time. “How long do we have to walk to get to the Dungeon” has an impact over gameplay greater than knowing exactly how many furlongs, cubits, or Scandinavian miles that happens to be. Even when we handwave away a lot of exact details of travel, knowing the travel time will matter — how often will the party need to make camp, will there be random encounters, how likely is the party to get lost?

For local travel, especially low-level play that often takes place in a single small region around a starter town or other quest hub, being no more than a couple of days away from each dungeon-delve seems about right. One or two nights to camp, one or two days to roll for random encounters.

On an 8½ x 11 or A4 sheet of paper, and hexes in the neighborhood of 1cm in size, your party of adventurers could travel from the center of the map to any corner in one to two days of in-game time, maybe a week over really rough terrain, and then back again. This seems to work well for many starting campaigns with a ‘home base’ in an outpost, a fortress, a village, or a stargate/portal back home – mysteries and adventures await! …but mostly we’re back home in time for dinner.

I’m going to skip two, but we’ll come back to them. Scale Five is regional travel, Scale Six is that “wall map” I referenced in the intro and the footnotes. But I’m going to stick with 2000 yard miles for a minute and go all the way up to global scale.

Scale Seven: Global

One very handy unit of measure at global scale is the Nautical Mile, which is defined as one minute of latitude⁹ — 60 minutes to a degree so one degree of latitude is 60 nautical miles. A nautical mile is also really damn close to 2000 yards, which is handy because someone already redefined our fantasy land miles to be 2000 yards.

Using nautical miles and latitude is also handy at the global scale because latitude gives us a lot of information about average temperature, prevailing winds, and prevalent biomes – you know, for the world-building nerds who like that kind of thing. Scaling up to a map that has nice divisions at something like 10° is handy because those are also usually the lines on (real world) globes and world maps. So our global scale could be a Hex 10° or 600 miles tall. How we get from 3 miles to 600 to go from Local to Global is the question, and one where you might need more than one answer or option.

One that I’ve considered is 15s. I’ve worked up my own template, which you can download for free from mdotblind.itch.io/mdotblind-dungeon23

These are nesting scales. Building up from a local map, 3 mile scale, 15 hexes tall, each local map becomes a unit hex at Scale Five: Regional where hexes are 45 miles in scale and the whole map (15 hexes tall) is 675 miles.

At Scale Six: Wall Map we switch from printing at 8½ x 11 to poster size. And these would stich together as many of the roughly 8”×8” regional maps as might fit on our poster, while keeping that one hex = 15 league (45mi) scale. Something like the Greyhawk double wall map, 33” × 44”, would fit 18-20 regional maps, 80 by 100 hexes if those hexes are still 1cm or so in size¹⁰

Scaling by 15s is a compromise. But the Regional maps still span roughly 10° latitude, north to south. And a secondary design consideration was having a set of maps that nest, a way to zoom in and out.

This is what I’m using currently using for my own designs, and the 2023 world building project. I should have more to share once that work is done. I encourage you to build on this for your own projects. The one take-away I hope you do keep is to ignore the map scale advice in WotC’s Dungeon Master’s Guide and adopt 6000 yards: one hex, one hour, three sensible fantasy miles.

¹ “Crunch” is a common, and perhaps overly casual, way to refer to deep rulesets that try to cover as many eventualities of play as possible. Crunchy can be considered the opposite of “rules light” in some ways but it’s not a directly opposed design philosophy. “Simulation” in games is perhaps best illustrated by the use of miniatures and battle maps on the table. A lot of things are abstracted [e.g. hit points instead of specific wounds] but things like movement, positioning, cover, and ranges are simulated. This is the legacy of Chainmail and other proto-RPG war games, and reflected in combat mechanics especially. But “simulation” can also be the GM creating the geography, rivers, roads, and settlements and mapping them to scale, when things like travel can also be abstracted & just as easily handled by some narration and random encounter rolls. If I get around to a series of posts on game design I might dive deeper into both concepts. All that said: I do love me some Fantasy Maps.

² Tolkien’s map may be an outlier in this, given that so much of the actual plot of both the Hobbit and the Lord of the Rings is about travel. Both are literal road trip stories, ‘there and back again’. So his distances (probably) aren’t going to be exact but when it takes weeks to walk even part-way across his continent you definitely see that and feel that in his map. Tolkien also gets due props for the hand-drawn aesthetic and how his maps feel like in-world artifacts — arguably they’re also why we encounter so many maps in every fantasy novel that followed, and why we love to include them with our games.

³ Hex maps are another legacy from tabletop war games, with the earliest examples (probably) being a pair of Civil War simulations from Avalon Hill in 1961: Chancellorsville, and Gettysburg, both designed by Charles S. Roberts. The 1961 version of Gettysburg updated a 1958 release and changed its maps from a square grid to hexes.

⁴ The “Darlene” map, from the artist of the same name [she professionally goes by the single name]. At the top of the post you’ll see a ‘thumbnail’ version of the wall map. And honestly, producing a map like this for a world of my own is a game design goal I’ve been chasing for a very long time.

⁵ our units of measure are just as arbitrary, but that’s a different rant/discussion.

⁶ yes, pun fully intended and of course I had to pull that phrase in somewhere in this post.

⁷ So we might consider a battlefield scale, with squads or companies or cohorts or maniples instead of individual combatants as a “missing middle” scale for RPGs. Not that we can’t make battlefield maps, it’s just that we usually don’t. In an RPG campaign, if a huge battle is coming up, the heroes are often off on a quest or sidequest, doing their usual D&D things, while the armies prepare off-screen in the background. The outcome of the battle no doubt hangs on what the party does behind the scenes (mcguffin found, allies raised, BBEG defeated in their lair) but the players and their characters aren’t taking up a battlefield command. But. To pick a scale, I’d think about how fast ‘units’ can move – 30ft per round, times 10 rounds per minute, and we’re at 300ft or 100 yards. 100 yards is a fairly intuitive distance for most, being roughly the length of a football field (US) or football pitch (everywhere else). Without getting too “crunchy” in writing some quick ad hoc rules in the footnotes of a blog post, units of roughly 100 taking a minute to move one square or hex, 100 yards, meeting along ‘fronts’ which are the borders between squares/hexes, and choosing actions like Push, Hold, Entrench, Charge, and then rolling dice.

⁸ I picked 2000 yard ‘miles’ for at least two other reasons, one of them making the math easier when scaling maps down and a second reason that we’ll get to soon when looking at maps at ‘world’ scale. However, if you’re a stickler for rules-as-written we can also get there a 3rd way: with a basic move speed of 30ft per six-second round, a character would walk 18,000 feet or 6000 yards (3.4 miles) in one hour. I’m perfectly happy to call a distance of 6000 yards a league and to redefine our fantasy miles to be exactly 2000 yards each – but (please forgive the 2nd invocation of the pun) your mileage may vary.

⁹ Latitude uses angular measures, degree-minute-second, where one degree is equal to one-360th of the circle measurement and that circle is the distance round the earth. Degrees are divided into 60 minutes, which are then also divided into 60 seconds. Longitude uses similar divisions but the meridians of longitude are not parallel — they all run through the poles and intersect there — so the degrees of longitude aren’t a consistent measure. Lines of latitude run parallel to each other (and are, in fact, called Parallels) and while each parallel of latitude gets smaller as you head north (or south) of the equator, they are always the same distance apart — 60 nautical miles per degree. The actual measure of the nautical mile is 2025.37 yards but again, using the magic of fantasy cartography, I hereby define it for my use as being exactly 2000. I guess the yards are 1% bigger or the whole fantasy planet is 1% smaller due to the prevalence of handwavium in the molten core, either excuse works.

¹⁰ The Greyhawk map has a scale of one hex = 10 leagues, 30 miles, for comparison. And I’m sure my approximation for what a wall map would look like is off because this is all just back-of-the-envelope math

I have bitten off more than I can chew. In fact, what I have bitten is chewing back and may be bigger than me.

The Unnamed 2022 Project is still an on-going, living breathing beast of a thing. But (yeah there’s a qualifier) — I haven’t risen to the self-imposed challenge and I’m about to blow past my first self-imposed deadline. I would have preferred to announce today that the first “drop” of 2022 was ready and that you’d be able to download PDFs of this first content pack for free (or pay-what-you-want, if you felt like tipping) from at least two digital stores including… um… Gumroad.¹

There isn’t a release this week. So let’s talk about what I *have* been doing for these last 16 weeks—including a selected sampling of the diversions and dead-ends encountered so far—and where the 2022 Project is at.

I have a name, and a website, and that website is running a Wikipedia-like software implementation², which will be the home of the always-free parts of what I’m working on. The working title for the project was “System15” [riffing on the xkcd comic, Standards] and is now called Plinth·RPG

https://plinthrpg.com/

Plinth·RPG, properly, is the game: a rules-light tabletop fantasy storytelling RPG that I’m still working on. When I’m finally done with the mechanics of it and have wrung it through several additional future drafts, it’ll probably be at least 16 pages³ but not more than 64, with art, and available as a slickly formatted PDF⁴. Since the objective is to write a rules-light game, the overwhelming majority of the content (the rest of plinthrpg.com) will be a whole new fantasy setting, more or less as I write it. That’s one reason, though not the only reason, that I went with wiki software rather than a blog format for the Plinth site.

That fantasy world will probably need its own name at some point. Though I’m fine with moving forward under the really-is-that-what-you’re-calling-it, the-name-just-seems-generic-to-the-point-of-obfuscation brand of “Plinth” in that Plinth has at least two things going for it: no one else is using it, or anything close to it, and also (as you might have noticed) I registered the dot-com.

Today is, was, my first deadline, as I noted in the last blog post. This announcement, and the reveal of the still-skeletal website, was not what I intended to release.

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My goal for the Untitled 2022 Project was to prepare and release a “content drop” every six weeks: digital files available for download and containing, well, something like an old school D&D adventure – some maps, some descriptions, a few notable NPCs and perhaps a new faction (to add to my collection), and if appropriate, some monsters or creatures or critters to go along with.

This was a good first impulse and is still a decent idea. I never got anywhere close, though, because I rapidly careened off that course on onto a different track.

My idea for a simple adventure map was sabotaged when I asked, “Well if I’m making a map anyway why not make it part of the world we’re building?” and that led me down a rabbit hole of medieval and renaissance travel modes and travel times and appropriate map scale and wait, how many kilometers is the Earth’s equator again and what about the distance to the poles, and say has anyone done a world map projection that works with hex maps⁵, and now I have a lot of notes and some fun things sketched — but I’m not really closer to that first Pack drop and I still don’t have a format or template that I can iterate on and drop things into.

[Image caption: you can maybe see how things like this became a distraction]

So I don’t have the neat, initial adventure model that I thought I would have ready at this point. I’m not at the finish line; I am only just now getting ready to run this thing and enter the starting gate. It sucks, and it’s not where I want to be, not where I planned to be, but I know whose fault it is⁶ and all I can do is keep going.

My next self-imposed deadline is six weeks from now, Week 12 of 2022, and Friday 25 March;
I’m already anticipating that I’ll miss that deadline too.

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One of the blacksmiths I follow on YouTube⁷ has a neat saying that I’m going to borrow for this, “Need a tool, make a tool”. The concise version is memorable and I can’t improve on it, but I’ll expand on it just a bit so you know what I mean by it: If you know what you need for your end goal but you can’t find the exactly right tool to get there, go ahead and make the tool (or tools) first. Which he literally does in many of his early videos, making hammers, tongs, drifts, dies, all kinds of tools.

For what I’m working on, I need a couple of tools first. I need to get up to speed on Scribus and build the PDF template. Of course, it’ll probably be a two-column layout that looks like every other RPG rulebook but even just saying that assumes a lot – font choices for headers, body text, tables, sidebars—oh yeah we’ll need to figure out formatting for tables and sidebars, and we’ll also need allowances for spot art. The goal is to have something that looks familiar to the target audience but in the ‘house style’⁸ that stands out a little bit from everything else. I haven’t done layout since 1990 and that was on the school Macs and I’ll be honest, I don’t even remember what the program was called, and many intervening years of banging my head against CSS hasn’t honed those skills any. But once those decisions are made, the template is a tool, and I can just (hopefully) drop the words into it.

The other tool I need is for maps, and surprisingly, the best tool that’s available may just be Clip Studio Paint. But that’s more software for me to learn and another template to build. I don’t know that I’ll be able to do both in twelve weeks, let alone six.

But that’s fine. And I have two tools that already online and working: The new Plinth·RPG wiki, and this blog. I can keep the lines of communication open, certainly, for anyone who is following me on this weird new adventure, and I can describe the process of learning how to build new tools and also the tools themselves, if they’d be of use to anyone.

That’s where I’m at. It’s a new starting line. And I’ve got a six week sprint ahead of me.

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¹ if you’re not on twitter or not following enough artists & content creators on twitter you missed the drama: The CEO of Gumroad (a smaller but once a decently well regarded e-commerce platform where you could sell, among other things, PDFs and digital files) was caught out trying to mint his own batch of NFTs. Twitter, at least the twitter I’m following, was collectively not amused. Ko-Fi and Itch.io have been the most commonly recommended alternatives.

² for those who must know, either to suit their own similar needs or just to be nosy: DokuWiki, https://www.dokuwiki.org/, which is available under the GNU General Public License (so: free) and which was both easy to install and easy to get started with

³ If I’m a good editor and manage to reign in all my usual bad impulses, like including footnotes for everything, then I might be able to keep things down to a taut, efficient 16 pages. I anticipate it’ll be more like 32.

⁴ and maybe also print-on-demand, if I barrel past the upper page limit I just set and project bloat inevitably sets in and the whole thing is closer to book size than not.

⁵ the answer is yes, but figuring out how many times it was answered yes and the ins-and-outs of each is a whole week shot, I tell you.

⁶ I’m going to blame ADHD of course

⁷ Yes there is more than one. Alec Steele in this case, and I’ll just note that’s a fantastic name for a blacksmith

⁸ Graphic design is my passion

⁹ I’m not sure why I started leaning so heavily on footnotes for jokes and asides but I think it’s too late to stop now. And that probably means I’ll have to include some sort of allowance for footnotes in the PDF template, dammit.

“A scale of one to ten, or scale from one to ten, is a general and largely vernacular concept used for rating things, people, places, ideas, and so on. The scale has 10 as a maximum score, as a denotation of exceptionally high quality or of another attribute, usually accompanying 1 as its minimum, although some common variants have a minimum of 0.” — Wikipedia entry for ‘Scale of one to ten’

Simple, common, intuitive, perhaps pervasive, perhaps universal(?)¹ and widely applicable: a scale from one to 10. Or zero to ten (but we’ll get there).

You may have been asked to rate your pain on a one to ten scale in an ER or doctor’s office, and there are many common systems, like gymnastics and ‘perfect’ 10.00 scores² and informal usage, including the “on a scale from 1 to x” memes, “These go to 11”, “Listen up fives, a ten is speaking”, and even gems like “On a scale from 1 to 10, your mama’s so fat she’s a 747-300”

So one aspect of a commonly-known, commonly-used linear numeric scale like “1 to 10” is that we’re all aware of what it is, what’s best, what’s worst, where it maxes out, and have a mental picture (if not a precise mental Gaussian probability distribution curve) of what the scale spans and how a difference of one—up or down—looks, feels, and works. Except…

There is another commonly-known, commonly-used ordinal-based convention with a whole lot of overlap on 1-to-10 and that’s the top 10 list. The top 10 list is probably more common (is certainly more common every December) and now we have an issue of ‘perfect ten’ vs ‘number one’ — is being a 2 an almost-great thing or a terribly bad thing? This is why, on questionnaires, any prompt to rate something on 1-10 nearly always specifies “with 1 being the worst and 10 being best”³

The easiest way to short-circuit this particular automatic pathway, “1 means ranked number one”, is to add a different lower base value:
zero.

There are other reasons to add a zero⁴, but the main one is that you almost never have to qualify that zero is worst and ten is best, and after an appropriate introduction (one shorter than this blog post) readers rapidly adapt and the numerical values allow for easy comparisons and the underlying questions (e.g. “how Strong is my character?”) can be left unstated entirely.

This system seems like it might be an improvement [The blog post title, above, is a teaser-in-three-parts, so you know at least one more part is coming] but there’s an additional gloss I picked up from a roleplaying system called FUDGE, written by Stephen O’Sullivan⁵ — and that is the use of comparative terms, on an ascending adjective scale. We bolster the ok-maybe-it’s-not-as-intuitive-as-I-thought zero to 10 scale by pairing (and pinning) the numbers with common adjectives. Broadly speaking, things that are ‘good’ are better than things that are ‘fair’, and if asked to pick between something ‘good’ and something ‘great’, of course you pick the merely good one⁶

The Fudge scale only uses 7 adjectives for this, but with a zero to ten scale, we’re going to need a total of 11⁷:

0. fatal (or near fatal)
1. terrible
2. awful
3. poor
4. meh.
5. fair
6. good
7. great
8. rare
9. epic
10. legend

“Meh.”, at 4, has some pushback from my early testers (roughly half)⁸ but isn’t carved in stone; if a term like ‘mediocre’ or ‘meagre’ has more fantasy flair and you’d prefer it to the more recent coinage (my editorial on that is also the term under discussion: meh.) then by all means change it for your own use. And while I like the Rare-Epic-Legend ladder for the top end of the scale, again, that’s my preference and you’re welcome to check as many thesauruses as you like to find alternates (I couldn’t find any I liked better).⁹

In my proposed system, the zero-to-ten scale balances at the midpoint, 5, though you might think of 4 as being the stock-NPC default baseline.

Because here’s the thing: all our characters are above average.

Part of that is part-and-parcel of playing a role playing game; we take on the role of an adventurer or hero (of whatever type) and we play through that fantasy. Of course we’re nothing special at the start and we have to grow and learn and gank monsters that are basically piñatas made of loot and that sweet, sweet XP — but no PC, even at level one is (ugh) ordinary . It’s an unspoken rule at the table. Even our flaws rarely have gameplay consequences and while barbarian Barbomight Stumpswinger of the Great Northern Woods may be about as sharp as a sack of oatmeal (Intelligence 3, poor) he is creative and improvisational in a fight (his namesake weapon is a stump! which he picked up as the only thing to hand to swing in one of his earliest adventures) and is not, as played, dumb.

There are role-play reasons and character ‘flavor’ reasons to take an low attribute, trait, skill, or ‘flaw’ but these are usually balanced (and over-balanced) by the role-play and ‘flavor’ of a character’s background and heritage, and their chosen class or skill set.

So, just embrace it, your stock-NPC defaults to 4, meh. Anything better is fair, or fair to good, and for most player characters we’re working in the 7-10 range anyway^10&11

Coming back around to the first third of the blog subject:

ZTT. Zero-to-ten. As defined above. It will be a whole lot easier to just say “ZTT” and link to that — or actually, link to this¹² —which is not only a brief intro to the idea but some behind-the-curtain thought process and also a definition of terms.¹³

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¹ at least for sophants with 10 total digits on their manipulation limbs

² the International Gymnastics Federation uses a system of points, not a rating scale, that coincidentally maxes out at 10, or at least did so before 2006. Under the revised code, scores can theoretically exceed 10, based on difficulty and event, but you’d probably still need the Russian judge in your pocket to even think about that

³ on a scale of 1 to Michael Bay, one being no explosion and 10 being Michael Bay, is 10 a good thing or a bad thing?

⁴ I’d read the articles at waypointgroup.org/why-a-0-10-scale-is-your-best-option/ and www.primary-intel.com/blog/the-magic-in-a-0-to-10-rating-scale/ for some good discussion and non-meme, non-RPG based context

⁵ links to additional resources, the open licenses available for other creators, and a general discussion of O’Sullivan’s FUDGE are about half-way down this page

⁶ oh no, I don’t want to be a bother, no no you take the bigger piece I’m not that hungry. please, no, I insist

⁷ having eleven terms is different from “These Go to Eleven” but “These Go to Eleven” is in fact a game mechanic that I have considered and am iterating on.

⁸ though everyone immediately understood the meaning

⁹ One design consideration was finding a clear, strong, monosyllable (whenever possible) for each, 0-to-10. This constraint is why ‘meh.’ is a clear winner at no. 4, though even in my own use I’ll likely use ‘meagre’ if it comes up

¹⁰ with muchkins and min-maxers already looking at my proposal and thinking about how to get 7-out-of-10 stats at 11 or better, and their primary at 14 or 15. If you’re a DM looking to homebrew a system or just with a robust set of house rules, the idea of a “working range” for skills and attributes is probably more helpful than the mechanics and terms anyway. What is our “working range” for a 3d6,d20 D&D-like system? 10 to 20, functionally, with bonuses for those scores ranging from +1 to +5. So really, arguably, just a five point scale, at least for the player just looking at those plus-ones. Or maybe a six-point scale, with the occasional bad roll (or PC choice) putting a score at 8-9, -1. Coming around to my zero-to-ten scale, we start at 4 and go to 10, legendary, with the occasional 3 and a working range of 5-6-7-8-9, hopefully. Enough for meaningful gradations and for each point/step/plus-one to feel weighty.

¹¹ building on that, you could easily add half points to the ten point scale (e.g. 7.5) which sets the new legend, max value at 20. This hack gives you some more direct correspondence between 3d6 and a zero-to-ten, and I may have to explicitly say that in whatever final version of the system (one page ‘lite’ versions, even) rather than hide it in an endnote. Here, I’ll walk you further down the path: 7, great, is a 14 on a 3d6, and a +2. 7.5, still great, is a 15; get up to 8, rare, though and we’re looking at 16 on a 3d6 and a +3.

¹² or put it in the endnotes, as applicable

¹³ On a scale from zero to ten, overall, I give this a 9, epic, for asides and endnotes; an 8, rare, for introduction of new ideas to TTPRGs; and a 4, meh., for readability, perhaps trending down to 3, poor, for virality or share-ablity of the post itself.

I didn’t post anything on the actual first day of the year because
1. I didn’t actually have that much to say (apparently)
2. This isn’t going to be a new year’s resolution thing where I post every day, no matter what
3. Actual events of the day were, after waking up: some youtube; a nap, like, got a blanket off the bed and settled in and really napped; forcing myself awake because I did in fact have somewhere to be; showering and the necessary things to be out in public; spending the afternoon with my folks, and a traditional New Year’s dinner¹ —
4. and after driving home and settling in with the blanket again I didn’t feel like writing. Or blogging, anyway; if inspiration had struck I probably would have been willing to write out a story idea or scene fragment

So there, you get the play-by-play of the 1st anyway (with an extra side of thought process) on today, the 2nd, probably around 3 in the afternoon when I get home to post this and not around 8am when I actually wrote it.

This being the internet, despite a certain bias towards the new and newly-updated, the time between creation and consumption doesn’t really matter so much. My words will likely be just as valid on 2 January 2040 as they are today, except perhaps for the detail where it is chilly enough to require a blanket.

So if the goal isn’t to produce a daily diary in web log format, or to engage in daily writing exercise as part of a new year’s resolution to “write more and make it a habit”, then what the hell am I doing here?

I write every day and have for years but way too much of that has been on Twitter, particularly in the last four years or so². I need to refocus away from that platform, and I already have a blog (with its own domain name and web hosting and the CMS and *gestures broadly at everything on this page*) so doing some very rudimentary mental calculations: here I am. Again.

I still don’t have an overall site topic, or focus, like I used to when RocketBomber was about bookselling³. I have a lot of interests, I read voraciously⁴, I like to consider myself broadly literate across many categories⁵, I have a tendency to both think I am impartial while simultaneously forming strong opinions about things⁶, and if nothing else I find it particularly easy to settle into a self-reflective mode and basically just talk to myself⁷. So the topic-of-the-day could be anything, really, or nothing⁸.

The blog should be an outlet for me to share, when I feel the need to share (or overshare; see endnotes) and scratch that itch before it incubates and then ends up on Twitter as a “Buckle in folks, I need to tell you 1/X” situation. Among other things, here I have the space for all my parenthetical asides and other digressions⁹ and can perform formatting tricks that are either impossible to do even in threaded tweets, or supremely awkward given the character limits.

You might also hear more of my “authentic” voice in the blog. Editing to fit on Twitter is actually really good practice for an author (including comedians and humorists , as the constraint is a great way to find the joke in a joke) but constantly writing in headlines is not the best way to write. Even in a thread, the rhythm of 280-characters-per forces you into less-than-ideal phrasing and constructions. You can ignore that and just post your paragraphs in their entirety, unedited, and let the breaks fall where they may, but the fact that twitter will display the tweet-chunks with those breaks forces the reader into the clunky twitter rhythm anyway. This is probably the number one reason people hate Twitter threads even if agree with the author and like the points presented: reading a twitter thread is exhausting¹⁰.

You might find my ‘true’ writer’s voice and damnable habit of digression at least as exhausting. But at least here I can vary the rhythm of the writing to suit, and you can read it as a single page and not telegraphed cue-card style, one poster-board all-caps shout at a time.

That’s probably enough “nothing” for today’s post. I’ll see what topic grabs my attention for tomorrow¹¹

##

¹ traditional German, with roast pork sauerkraut, because they’re from Ohio. I’ll fix cornbread, collards, and black eyed peas at some point for myself later. Probably Julian-Calendar New Year’s, 14 January, because why not

² the last four as a daily thing but also looking at ten years total on twitter at this point. damn.

³ “RocketBomber” as the name is itself an artifact from a time when I thought I’d be blogging about science fiction. See also: archive.rocketbomber.com – or maybe not, on second thought. The words are all still there, and links to individual articles should still work, but the formatting has not adapted well to its new home and it’s a bit of a jumble at the moment.

⁴ too much of my reading is online only, I need more books. Literally more fiber (things printed on wood pulp paper) in my media diet

⁵ literacy in the age of digital print is about more than just being able to read; parsing and understanding information now also requires both some basic understanding of the visual but non-verbal ways we communicate—art and charts, sure, but also things like font choices and formatting and page layouts—and also approaching sources with healthy skepticism and a critical eye. Too often “a thing” is seen as “more true” just because the presentation was slick and the tone authoritative, actual facts aside. Literacy can also mean a certain grounding in a few of the more important fields, i.e. scientific, financial, cultural and multicultural literacies, and civics, and etiquette (online and off; rules often unwritten and never really covered well) and increasingly, being “literate” across a couple different fandoms. This endnote would really have been better as a post all on its own; I’ll drop myself a reminder to revisit the topic in a few months.

⁶ …the actual worst possible combo for writers on the internet. I only hope my self-awareness of the problem serves as possible inoculation against being “that guy”.

⁷ When writing for myself, I tend to write both first-person and in constant dialog with myself, with past-me and future-me, so much so that I often use the pronoun “we”. Like, note-to-self-style, “We should probably check and see if talking to yourself is still a symptom of something in the DSM-5”. We find it fairly easy to write in the mode, and we find it helps with planning and projects that are going to span a length of time that will require more than one “me” to accomplish. This is a mental-processes thing (not neurotypical, but I like it and it’s mine) and not an identity thing – my pronouns are still he/him. Not least because it’d be Supremely Weird to ask others to use “we” and we ain’t that special. And without access to a time machine I’m pretty sure you’ll only ever talk to one of us at a time. This is another endnote that would have been better as a stand-alone post and I fear that if I continue to use endnotes this will continue to come up as an issue.

⁸ Today’s post—this post—might be a good example of what “nothing” from me looks like. I hope you like the content because if nothing else, I can guarantee a lot of “nothing”

⁹ exempli gratia, vide supra

¹⁰ obscure history threads are an exception. I love me some obscure history threads. Twitter-threads-as-a-medium seems all but custom designed for ‘em

¹¹ If you’d like my take on a particular topic, perhaps an expansion on a point in one of these end notes, you can let me know on Twitter. Of course on Twitter. obviously.